1. Start with two sounds. Load the practice pair, then Play both. A is a drum phrase; B is a chord phrase. Both are original, four-bar loops at 120 BPM. The crossfader’s center lets you hear both.
2. Find a return point. Seek on the waveform. Press an empty hot cue to store that point. Press it again to jump there and play. Shift + press replaces a cue.
3. Make a fragment insist. Set In, move forward, then set Out. Turn the loop on. Halve it a few times, change speed, or reverse it. In and Out use positions in the original sound.
4. Compose the encounter. Move the crossfader for a gradual handover; press A or B for a cut. Filter one sound to make space for the other. Leave a gap, bring a fragment back, or interrupt before the phrase resolves.
5. Keep a take. Record mix captures the output, including your cuts and silence. Finish take, then Save take. Files and recordings stay in this tab until you save them; reloading clears the session.

Q / P

Play or pause A / B

1–4 / 7–0

Hot cues on A / B; hold Shift to set

Space / Esc

Play or pause both / stop sound

[ / ] / \

Move the crossfader / center it

Shortcuts pause while you type in a field. Space respects a focused button. Every action also has a visible control.

Speed changes pitch. Source BPM is entered manually for imported sounds; Match tempo changes speed but does not align beats. Cues play through the main output; there is no separate headphone channel. Load mono/stereo audio up to 40 MB and six minutes per deck (128 MiB decoded limit). Takes finish automatically at about ten minutes.